3rd generation · PLEDIS Entertainment
SEVENTEEN / 세븐틴
SEVENTEEN is a thirteen-member group from PLEDIS Entertainment, known for self-producing units, choreography, and a large performance catalogue.
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The hip-hop, vocal, and performance units make SEVENTEEN especially useful for understanding how a large K-pop group can stay organised and distinctive.
Choose SEVENTEEN for choreography depth, a clear three-unit structure, and an extensive official performance catalogue.
エスクプス에스쿱스 · S.COUPSS.COUPS X MINGYUView in Japanese
ジョンハン정한 · JeonghanJEONGHAN X WONWOOView in Japanese
ジョシュア조슈아 · JoshuaView in Japanese
ジュン준 · JunView in Japanese
ホシ호시 · HoshiBSSHxWView in Japanese
ウォヌ원우 · WonwooJEONGHAN X WONWOOView in Japanese
ウジ우지 · WooziHxWView in Japanese
ドギョム도겸 · DKBSSDxSView in Japanese
ミンギュ민규 · MingyuS.COUPS X MINGYUView in Japanese
ディエイト디에잇 · The8V8View in Japanese
スングァン승관 · SeungkwanBSSDxSView in Japanese
バーノン버논 · VernonV8View in Japanese
ディノ디노 · DinoSoloView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| エスクプス | 1995-08-08ⓘ | 31 | 178cm | AB | INFP | South Korea |
| ジョンハン | 1995-10-04ⓘ | 30 | 178cm | B | ISFJ | South Korea |
| ジョシュア | 1995-12-30ⓘ | 30 | 177cm | A | ENFJ | United States |
| ジュン | 1996-06-10ⓘ | 30 | 182cm | B | ESFP | China |
| ホシ | 1996-06-15ⓘ | 30 | 177cm | B | INFP | South Korea |
| ウォヌ | 1996-07-17ⓘ | 30 | 182cm | A | INFJ | South Korea |
| ウジ | 1996-11-22ⓘ | 29 | 166cm | A | INFJ | South Korea |
| ドギョム | 1997-02-18ⓘ | 29 | 179cm | O | ISFJ | South Korea |
| ミンギュ | 1997-04-06ⓘ | 29 | 187cm | B | ENFJ | South Korea |
| ディエイト | 1997-11-07ⓘ | 28 | 179.8cm | O | INFJ | China |
| スングァン | 1998-01-16ⓘ | 28 | 174cm | B | ENFP | South Korea |
| バーノン | 1998-02-18ⓘ | 28 | 178cm | A | ISTP | South Korea · United States |
| ディノ | 1999-02-11ⓘ | 27 | 174cm | A | INFJ | South Korea |
Ages are as of 2026-09-24.
Follow a few songs from the starting point to the group's current sound.
VERY NICE MVBegin with an early signature single whose bright hook and synchronised performance make the full group easy to read.
Don't Wanna Cry MVChoose Don't Wanna Cry for a vocal-led turning point paired with precise large-group choreography.
Super MVUse Super for the scale of a thirteen-member performance and the group's later stadium-era intensity.2 daesang · 3 awards (compiled by KPOP DISCOVER, as of September 24, 2026)
MAMA Awards MAMA
MAMA Awards MAMA
Billboard Music Awards BBMAs
Source: announcements by each award ceremony and official chart
JEONGHAN X WONWOO Unit releases & official videos View in Japanese 
BSS Unit releases & official videos View in Japanese 
DxS Unit releases & official videos View in Japanese 
HxW Unit releases & official videos View in Japanese 
S.COUPS X MINGYU Unit releases & official videos View in Japanese 
V8 Unit releases & official videos View in JapaneseVerified English shopping links are not yet available.
What anchors SEVENTEEN is self-produced work across three units and group choreography that makes 13 people look like one. PLEDIS Entertainment debuted the thirteen-piece on May 26, 2015 with Adore U, and the group splits into vocal, hip-hop and performance units while moving as a single team: 13 plus three plus one is where the 17 in the name comes from.
The brightness and pull of VERY NICE, the finished vocals and synchronisation of Don't Wanna Cry, the large-scale performing of Super: strongly self-produced songs held up by 13 people. Take the world from the music videos, then watch the dance practices and the performance versions for formation, line distribution and roles, and what makes SEVENTEEN itself comes into focus.
Since FML the scale of the albums and tours has grown further, and the Japanese releases have continued alongside. VERY NICE, then Don't Wanna Cry, then Super runs from the early pull through the finished vocals to the scale of recent years.
Editors' take VERY NICE / Don't Wanna Cry / Super — three songs cover a PLEDIS thirteen-piece built on self-produced work across three units and choreography that makes 13 people move as one.
13 members, three units and one team adding up to 17 is the quickest way to hold the structure in mind.
Vocal, hip-hop and performance units divide the group, so it stays clear who to watch on any given song.
Adore U arrived on May 26, 2015 and put self-production and a sense of team at the front from the start.
From FML onward the scale of albums and tours grew further, placing the group among the large K-pop acts of recent years.
Japanese releases have continued as well, so the flow is easier to read when the Korean and global work is kept apart from the Japanese catalogue.
Beyond the music videos, dance practices and performance footage show the moment when a large membership turns into an advantage.
No. 13 of 211 groups with recorded activity in Japan (top 6%)
The denominator is the 211 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-24).
How this score is calculated →View in Japanese
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