2nd generation · SM Entertainment
ザ・グレース / 천상지희 더 그레이스
The Grace could sing and dance in equal measure, which is why they were sometimes described as the female counterpart to TVXQ!.
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Lina, Dana, Sunday and Stephanie worked in Korea and Japan and fill the gap in SM Entertainment's female roster between two much better-known groups.
Come here if you are following the lineage of women's groups at that label and want the missing piece.
リナ린아 · LinaView in Japanese
ダナ다나 · DanaView in Japaneseサンデー선데이 · SundayView in Japanese
ステファニー스테파니 · StephanieView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| リナ | 1984-02-18 | 42 | 168cm | A | Not disclosed | South Korea |
| ダナ | 1986-07-17 | 40 | 171cm | O | Not disclosed | South Korea |
| サンデー | 1987-01-12 | 39 | 164cm | O | Not disclosed | South Korea |
| ステファニー | 1987-10-16 | 38 | 168cm | O | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
One More Time OK MVOne More Time OK is the signature and shows the singing and the dancing together.
Dancer In The Rain MVDancer In The Rain belongs to the Japanese years and is the easiest of the three.
Too Good MVToo Good is the earliest and the purest demonstration of the voices.Verified English information is not yet available for this section.
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What holds The Grace together is singing ability and dancing kept in balance. Lina, Dana, Sunday and Stephanie made up the SM Entertainment four-piece, sometimes introduced as a female counterpart to TVXQ, and they link the history of female groups around the second generation at SM.
Too Good, The Club and One More Time OK? make the entry. Ballad-leaning vocal power, then a dance line that includes a track featuring Yunho, then the signature song of the Korean full-length album period: taken in that order, the outline of the group rises into view.
In Japan, releases such as Sweet Flower, Piranha and Graceful 4 came out under the Japanese name. Rather than stopping at the Korean work, following the Japanese releases and the later thread of Dana & Sunday shows the thickness inside a run that looks short. Too Good, then The Club, then One More Time OK? covers the singing, the dancing and the signature song.
Editors' take Too Good / The Club / One More Time OK? — a four-piece linking the history of female groups around the second generation at SM through singing and dancing.
No. 74 of 210 groups with recorded activity in Japan (top 35%)
The denominator is the 210 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-17).
How this score is calculated →View in Japanese
KPOP