4th generation · DSP Media
ミレソニョン / 미래소년
MIRAE built a future-city sound out of hard electronics and set seven people moving through it at speed.
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KILLA opens with the tension at maximum, and Splash, Marvelous, Drip N' Drop and JUMP! gradually let the light back in.
Choose this if you want to watch a concept soften across a run of singles without losing its edge.
リアン리안 · LIENView in Japanese
イ・ジュニョク이준혁 · LEE JUN HYUKView in Japanese
ユ・ドヒョン유도현 · YOO DO HYUNView in Japanese
カエル카엘 · KHAELView in Japanese
ソン・ドンピョ손동표 · SON DONG PYOView in Japanese
パク・シヨン박시영 · PARK SI YOUNGView in Japanese
チャン・ユビン장유빈 · JANG YU BINView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| リアン | 1998-03-11 | 28 | 180cm | B | Not disclosed | Japan |
| イ・ジュニョク | 2000-05-16 | 26 | 182cm | B | Not disclosed | South Korea |
| ユ・ドヒョン | 2000-12-25 | 25 | 178cm | A | Not disclosed | South Korea |
| カエル | 2002-01-18 | 24 | 178cm | B | Not disclosed | South Korea |
| ソン・ドンピョ | 2002-09-09 | 24 | 171cm | O | Not disclosed | South Korea |
| パク・シヨン | 2003-05-06 | 23 | 172cm | AB | Not disclosed | South Korea |
| チャン・ユビン | 2004-06-10 | 22 | 175cm | O | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
KILLA MVKILLA is the debut, and the density of the group dance is the first thing you notice.
Splash MVSplash has the most momentum, and the performance film is worth comparing against the video.
JUMP! MVJUMP! is the bright late single and the clearest contrast against the debut.Verified English information is not yet available for this section.
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With MIRAE, simply taking the title tracks in release order shows the outline of the sound changing. Moving from the hardness of KILLA to the brightness of JUMP! makes clear a process in which the word futuristic never stayed one colour, opening instead toward youth and speed.
For the dancing choose the Choreography, and for how the faces meet the camera choose the Performance Video. Setting the two videos of the same song against each other lets the aligned movement of 7 and the expression of each member be read apart.
Editors' take A group whose 5 Korean works and Japanese debut work are best strung together in a straight line through the choreography videos.
No. 122 of 210 groups with recorded activity in Japan (top 58%)
The denominator is the 210 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-17).
How this score is calculated →View in Japanese
KPOP