4th generation · Brave Entertainment
ダークビー / 다크비
DKB work from hip-hop: heavy beats, a low centre of gravity, and dancing that stays close to the floor.
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Work Hard, ALL IN and Rollercoaster show the ratio between singing and movement being adjusted release by release, and most singles come with a performance cut as well as a video.
Choose this if you want to watch bodies move rather than a story unfold.
イチャン이찬 · E-CHANView in Japanese
テオ테오 · TEOView in Japanese
ヒチャン희찬 · HEECHANView in Japanese
ジュンソ준서 · JUNSEOView in Japanese
ユク유쿠 · YUKUView in Japanese
ハリー・ジュン해리준 · HARRY JUNEView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| イチャン | 1997-02-19 | 29 | 177cm | Not disclosed | Not disclosed | South Korea |
| テオ | 1997-10-22 | 28 | 177cm | Not disclosed | Not disclosed | South Korea |
| ヒチャン | 1999-07-31 | 27 | 176cm | Not disclosed | Not disclosed | South Korea |
| ジュンソ | 2001-01-16 | 25 | 182cm | Not disclosed | Not disclosed | South Korea |
| ユク | 2002-05-12 | 24 | Not disclosed | Not disclosed | Not disclosed | Japan |
| ハリー・ジュン | 2004-01-01 | 22 | 178cm | Not disclosed | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
Work Hard MVWork Hard has the stickiest rhythm and the lowest stance of the early singles.
Sober MVSober is the one for choreography; go from the video to the performance cut to see how the weight is used.I Need Love MVI Need Love opens the expression out and makes a clear contrast against the heavier material.Verified English information is not yet available for this section.
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DKB comes into focus more sharply when the music video and the Performance version are taken as a pair, rather than following song titles alone. With ALL IN, Rollercoaster and Sober, watch the story and the styling of the standard video first, then move in close on the bodies, and the character of dancing that takes a heavy beat with the whole frame becomes clear.
For the releases, take Youth, LOVE and GROWTH for the early years, then move on to REBEL, Autumn and I Need Love. Line up HIP, Urban Ride and Emotion as well and the path shows itself: a hip-hop core held steady while the hardness of the sound and the brightness of the singing trade places.
Editors' take Once you reach the Performance version, the low centre of gravity and the differences between each member as a dancer show up best.
No. 38 of 210 groups with recorded activity in Japan (top 18%)
The denominator is the 210 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-17).
How this score is calculated →View in Japanese
KPOP