3rd generation · Chrome Entertainment
クレヨンポップ / 크레용팝
Crayon Pop went comic rather than cute, and Geummi, Ellin, Choa, Way and Soyul are still the most immediately recognisable girl group of their year.

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Helmets, a single-file jump and choreography anyone could copy made Bar Bar Bar travel a long way past the domestic audience.
Start here if you want proof that a K-pop concept could be genuinely funny and still work.
グンミ금미 · GeummiView in Japanese
エリン엘린 · EllinView in Japanese
チョア초아 · ChoaView in Japanese
ウェイ웨이 · WayView in Japanese
ソユル소율 · SoyulView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| グンミ | 1988-06-18 | 38 | 165cm | B | Not disclosed | South Korea |
| エリン | 1990-04-02 | 36 | 165cm | B | Not disclosed | South Korea |
| チョア | 1990-07-12 | 36 | 160cm | A | Not disclosed | South Korea |
| ウェイ | 1990-07-12 | 36 | 160cm | A | Not disclosed | South Korea |
| ソユル | 1991-05-15 | 35 | 162cm | A | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
Bar Bar Bar MVBar Bar Bar is the one to see: the helmets and the single-file jump stick after one viewing.
FM MVFM borrows from old special-effects television and shows how playful the group was willing to be.
Doo Doom Chit MVDoo Doom Chit turns disco and belongs to the later album period.Verified English information is not yet available for this section.
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Crayon Pop is the five-piece girl group Chrome Entertainment sent out in 2012. The line Geummi, Ellin, Choa, Way and Soyul chose was comic rather than cute, and legible rather than refined, built to lodge in the memory. Even with a small budget at the start, that character was already plain on the debut song Saturday Night.
What carried the name around the world was Bar Bar Bar. Helmets on, lined up across the front of the stage, jumping and jumping: easy to copy, impossible to forget once seen. From there, Dancing Queen, Uh-ee and FM swap retro feeling, trot-tinged comedy and squadron visuals in and out, and what stays constant underneath is a sense of play.
In 2014 Uh-ee folded a Korean sound into the pop, and an opening slot on a Lady Gaga show drew attention overseas. The Japanese official releases RaRiRuRe and Dancing All Night came in 2015, along with the squadron concept of FM. Evolution Pop Vol.1 in 2016 rounded off the catalogue, and from 2017 the group itself has been quiet. Bar Bar Bar, then FM, then Doo Doom Chit covers the shock of the helmet dance, the squadron concept and the choreographic sense of the late years.
Editors' take Bar Bar Bar / FM / Doo Doom Chit — the core of their comic pop in three songs, from a Chrome Entertainment five-piece.
No. 98 of 210 groups with recorded activity in Japan (top 47%)
The denominator is the 210 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-17).
How this score is calculated →View in Japanese