2nd generation · NAP Entertainment
シーリアル / 씨리얼
C-REAL sat squarely in the clean teen-pop lane of the early 2010s, with Chemi, Re Dee, Effie, Ann J and Lenny.

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The label was small and the run was short, but the three singles map that moment in girl-group styling precisely.
Useful when you want to see the whole shape of a year rather than only its biggest groups.
ケミ케미 · ChemiView in Japanese
リディ레디 · Re DeeView in Japanese
エフィ에피 · EffieView in Japanese
アンジェイ앤제이 · Ann JView in Japanese
レニー레니 · LennyView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| ケミ | 1993-06-25 | 33 | 160cm | A | Not disclosed | South Korea |
| リディ | 1994-07-15 | 32 | 163cm | B | Not disclosed | South Korea |
| エフィ | 1994-06-13 | 32 | 162cm | O | Not disclosed | South Korea |
| アンジェイ | 1995-09-26 | 30 | 164cm | A | Not disclosed | South Korea |
| レニー | 1996-11-28 | 29 | 161cm | AB | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
No No No No No MVNo No No No No is the debut and the purest version of the teen-pop idea.
Joma Joma MVJoma Joma is the catchiest and the easiest to remember afterwards.
Sorry But I MVSorry But I turns wistful and leans on the singing instead.Verified English shopping links are not yet available.
C-REAL was a five-piece girl group sent out by NAP Entertainment, starting in October 2011 with the debut EP Round 1 and No No No No No. The names Chemi, Re Dee, Effie, Ann J and Lenny are where the group title itself comes from, and the clear voices of those five still stand for one corner of the early 2010s that ran a pure teen pop line. Working at a smaller scale than the big agency acts is exactly why the colour of the era survives here in undiluted form.
Three songs make the entry: No No No No No, Joma Joma and Sorry But I. The debut track fixes the first impression of the five and their cool tone, while Joma Joma, from the EP Love Diary of March 2012, shows singing that had matured a little and a brighter pop spread. Stepping on to the ballad-leaning Sorry But I, the expression in the voices tilts towards ache, proof that the group was never only cool pop. The catalogue is not large, and that scarcity makes the job of each song stand out.
Late in 2012 the later single Danger Girl joined, letting the colour of the sound shift near the end of a short history. After 2014, updates under the group name shrank. When small girl groups of the early 2010s come up for discussion the name returns, and rather than digging deep into each member it settles best as one point on the map of girl groups from that time. No No No No No, then Sorry But I, then Danger Girl runs from early clarity through vocal ache to the later change.
Editors' take No No No No No / Sorry But I / Danger Girl — three songs from pure teen pop to the change of the later years, from a NAP Entertainment five-piece.