5th generation · MNH Entertainment
エイトターン / 에잇턴
8TURN move eight people around the stage more than most groups of their size, and the performance videos exist specifically to show it.

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The official channel keeps a fixed-view choreography cut, a more expressive performance cut and a live clip for the same song, so TIC TAC, EXCEL, RU-PUM PUM and LEGGO can each be watched several ways.
A good pick if you like comparing different camera treatments of one routine.
ジェユン재윤 · JAE YUNView in Japanese
ミョンホ명호 · MYUNG HOView in Japanese
ミンホ민호 · MIN HOView in Japanese
ユンソン윤성 · YOON SUNGView in Japanese
ヘミン해민 · HAE MINView in Japanese
ギョンミン경민 · KYUNG MINView in Japanese
ユンギュ윤규 · YUN GYUView in Japanese
スンホン승헌 · SEUNG HEONView in Japanese| Members | Birth date | Blood type | MBTI | Nationality | ||
|---|---|---|---|---|---|---|
| ジェユン | 2002-07-02 | 24 | 178cm | Not disclosed | Not disclosed | South Korea |
| ミョンホ | 2001-10-12 | 24 | 177cm | Not disclosed | Not disclosed | South Korea |
| ミンホ | 2002-10-14 | 23 | 179cm | Not disclosed | Not disclosed | South Korea |
| ユンソン | 2003-11-13 | 22 | 177cm | Not disclosed | Not disclosed | South Korea |
| ヘミン | 2004-03-16 | 22 | 183cm | Not disclosed | Not disclosed | South Korea |
| ギョンミン | 2004-10-28 | 21 | 185cm | Not disclosed | Not disclosed | South Korea |
| ユンギュ | 2005-09-07 | 21 | 175cm | Not disclosed | Not disclosed | South Korea |
| スンホン | 2007-05-15 | 19 | 171cm | Not disclosed | Not disclosed | South Korea |
Ages are as of 2026-09-17.
Follow a few songs from the starting point to the group's current sound.
TIC TAC MVTIC TAC is the debut, and the choreography video afterwards shows how the eight positions actually move.
RU-PUM PUM MVRU-PUM PUM sits low and hits hard, and the three video versions differ more than usual.
LEGGO MVLEGGO is the bright one, and the performance cut adds what the music video leaves out.Verified English information is not yet available for this section.
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8TURN show their real quality less through the music videos alone than once you go on to the Choreography Videos. Eight of them swap the centre and use width and depth to look like a single mass, so the closer the footage sits to a fixed viewpoint, the more the fineness of the formation comes across.
For releases, take the early three stages through TIC TAC, EXCEL and RU-PUM PUM, then line up LEGGO, Electric Heart, BRUISE and Stagefright after them. The bright forward drive stays, while the weight of the sound and the intensity of the expressions have been raised.
Editors' take The more the music videos and the Choreography Videos are watched as a pair, the clearer the design built on having 8 people becomes.
No. 159 of 210 groups with recorded activity in Japan (top 76%)
The denominator is the 210 groups, out of 525 covered by KPOP DISCOVER, whose raw score reaches at least one point. The score adds 10 points per Japanese-market release, 3 per Japan-related track, 12 per member from Japan, and 8 per official Japanese account. Japanese-market releases carry the most weight because they are the most direct evidence of activity; related tracks add track-level detail; members from Japan stand for Japanese-language communication and continuity; official accounts stand for a permanent point of contact. The weights are an editorial judgement, not a statistical optimisation, and the ranking tracks release volume in Japan closely. Source: releases, tracks, members, and official links recorded by KPOP DISCOVER (updated 2026-09-17).
How this score is calculated →View in Japanese